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THE RACES - Agnès Hostache

Signed by the artist.

A4 format. Digital printing on 300g paper.

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The illustrator Agnès Hostache likes to retranscribe, with gouache or acrylic, the little things of everyday life, these scenes composed of tiny details that would have escaped us but that really tell our lives... Trained in applied arts, it is certainly her training in interior design that gave her a taste for telling the story of interiors and the life of its inhabitants. Close to the "Mingei udo" movement (Japanese popular art movement of 1920-1930), her artistic approach is made of modesty and sincerity.

At the end of her brush: fantasy, tenderness and that infinite lightness that we would like to keep at home.

These prints are from Nagasaki, his first graphic novel published Lézard noir (2019), ADAGP/Quai des bulles 2020 prize.

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Agnès Hostache

After working as an art director in advertising and then in an interior design agency, Agnès Hostache is, to our great delight, a full-time illustrator. She likes to transcribe, with gouache or acrylic, the little things of everyday life, these scenes composed of tiny details that we would have missed but which really tell our life...

Trained in applied arts, it is certainly her training in interior design that gave her a taste for telling the story of interiors and the lives of their inhabitants. Close to the "Mingei udo" movement (Japanese popular art movement of the 1920s-1930s), she exhibited at Artazart at the end of 2018 "Portraits d'illustres inconnus et autres petits riens". Her first graphic novel "Nagasaki" adapted from the French novel (by Eric Faye), is a miracle of delicate sobriety. It was awarded a prize at the 47th Angoulême Festival.

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