Following on from Antoine d’Agata’s exhibition Anticorps, the coordinators of Actes, wanted to pursue the exhibition’s intention of highlighting the political dimension of Antoine d’Agata’s photographic work, taking it up and augmenting it in different scriptural and graphic forms, taking it out of the territories in which it has often been assigned.

Actes, une présence politique is a book organized in five parts that presents itself as a space offered to the reader to continue to see and think about the work of Antoine d’Agata, a photographer whose artistic gesture and the movement of life are linked in an eminently political aim and which it seems urgent to signify.